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Hungary's crisis of liberalism and lurch toward fascism
@e_flux wrote: In the Boston Review, historian Holly Case examines Hungarian politics from the fall of the Berlin Wall to today, demonstrating that the dissident liberals of the Soviet period have...
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Our Gallery Weekend Berlin itinerary
@karenarchey wrote: 5690856734_93ff24366f_b.jpg1024x680 97.2 KB The rain clouds are brewing, the lunchtime beers are flowing, and somewhere, not too far, a gallerist munches on currywurst--it's...
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GULF to Guggenheim: A Storm is Blowing from Saadiyat Island
@e_flux wrote: Reposted from G.U.L.F.: Pasted image856x642 814 KB Last night, the Global Ultra Luxury Faction (G.U.L.F.) used the walls of the Guggenheim Museum to send a clear message to the trustees...
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Hilton Als on the "hyper empathy" of black music
@e_flux wrote: In the New Yorker, Hilton Als has a powerful rumination on several black musicians whose work has profoundly moved him lately, including Prince, Beyoncé, and jazz pianist Cecil Taylor....
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Latina art collective Electric Machete on the Guerrilla Girls and mainstream...
@e_flux wrote: At Hyperallergic, Kari Mugo speaks with Rebekah Crisanta and Jessica Lopez Lyman, two of the five Latina members of the Minnesota art collective Electric Machete Studios, which...
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"How to Disappear Completely"
@Mladen_Libuschewski wrote: "In a little while I'll be gone" Posts: 1 Participants: 1 Read full topic
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Claude Shannon, father of the Information Age, turns 100
@karenarchey wrote: For the New Yorker, Siobhan Roberts writes about Claude Shannon, the so-called father of the digital age who coined the term "bits." Read Roberts in excerpt below, or the full...
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Artist belit sağ on further censorship at Akbank Sanat
@bilidikit wrote: AYHANandme_still2_.jpg1800x1013 873 KB Open Letter - 11 May 2016belit sağ(Turkish version below the English version) It was my intention for a long time to publish a statement about...
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W.A.G.E.'s open letter to New Museum
@karenarchey wrote: Working Artists and the Greater Economy, aka W.A.G.E., wrote last week a letter to the New Museum, who recently announced their expansion. W.A.G.E. takes issue with the New...
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Freeportism as Style and Ideology? Live Coverage of e-flux journal 73 launch...
@kaye wrote: Stay glued to this thread for [@rwetzler] Rachel Wetzler's live coverage of tonight's launch of e-flux journal 73, starting at 7:30 pm EST The panel, featuring Kari Altmann, Julieta...
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Benjamin Bratton on Speculative Design
@karenarchey wrote: For Dis magazine, Benjamin Bratton writes about Speculative Design as a potential future alternative to mainstream design. Read Bratton in partial below, or in full via Dis....
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Why can't great artists be mothers?
@karenarchey wrote: For the New York Times Live, Jacoba Urist writes about motherhood and artistic practice, which to her make strange, if productive, bedfellows. She begins with quoting Tracey Emin...
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The art of reading Russian obituaries
@karenarchey wrote: For the New York Times, Masha Gessen writes an op-ed about what she politely calls "the art of reading Russian obituaries," or rather, reading Russian obituaries for clues and...
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Paul Chan on Trump, violence, and 'Sade for Sade’s Sake'
@karenarchey wrote: For the Walker Art Center's blog, Fionn Meade interviews Paul Chan, whose 2009 work Sade for Sade's sake is currently on view at the Minneapolis institution. They talk about Sade,...
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Tim Gentles on Reena's Bedstuy Glove Affair
@e_flux wrote: Text by Tim Gentles Earlier this month, in the back of a small flatbed truck outside Reena Spaulings Gallery in Lower Manhattan, the nomadic curatorial initiatives Kodomo.us and...
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LA and NY artists tackle the inequity of real estate, with mixed results
@e_flux wrote: The Guardian's Alex Rayner reports on two recent art projects in LA and NY that seek to expose how the astronomical real estate prices in these cities shape the urban environment,...
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Avital Ronell on Valerie Solanas and her SCUM Manifesto
@e_flux wrote: At the Verso blog, Avital Ronell writes about Valerie Solanas and her SCUM Manifesto, highlighting the fraught social context that shaped the startling text and its author. Ronell's...
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Calais epitomizes the global migration crisis
@e_flux wrote: The Guardian has an excellent long read on Calais, France, where thousands of migrants have set up a squalid camp dubbed "The Jungle" in hopes of making it to Britain, which is...
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Hannah Black on "the identity artist and the identity critic"
@e_flux wrote: Artforum's massive summer issue features a section entitled "Artists and Identity," with texts, images, and artists' projects on the fraught subject of identity politics in the art...
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Are police procedurals pro-cop propaganda?
@e_flux wrote: The police procedural is perhaps the most widespread and popular show format in the entire history of television. From Dragnet in the 1950s up to The Wire, English-language television...
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